NPR posted a
blog today discussing women in music who are often cited as inspirations/influences to other artists. Readers were asked to comment with their own list and it got me thinking: I could post my thoughts there (to be viewed by a bunch of random people who wouldn't give a John Boehner necktie what I think) or I could show some love to my own poor, bare blog cupboard. So, here we are!
The first consideration in creating such a list would be what criteria to use. Music I really love? Music that inspires me to write? Hmmm...
I decided that I've been influenced & inspired in so many different ways by so many different people (women AND men, but NPR's not askin' about the guys right now). As an obsessive student of all things music, I'm always interested in what others are doing- whether it's how they're using technology, how they create moments onstage, song structures, vocal delivery, recording techniques- you name it...
Inevitably, you pull tiny threads from these other places and weave them into the fabric of your own identity as a musician (and businessperson). Even after your creative identity and work ethic have been well-established, there's always something to be learned from what others are doing- whether it's something to incorporate or something to avoid.
So here, in no particular order, are the ladies who might be part of my musical dna, with a little explanation of what they've meant to me:
Chrissie Hynde (Pretenders)
The epitome of cool. Chrissie was definitely the kind of musician I could look up to as a girl growing up in the 80's. While Madonna was writhing around on the stage in a bridal gown, Chrissie was smart, tough, and a damn fine writer/guitarist. (Madonna was smart, too, but if bridal gowns were a pre-requisite for being a musician, I'd be an electrical engineer right now.)
Karen Carpenter
The most perfect voice ever. Hers was a singular star- no one will ever duplicate her effortless, pitch-perfect expression, no matter how much work they put in or how much training (plus, she played the friggin drums!). However, what I learned from her (at the ripe old age of five while riding around in my sister's Mustang convertible & belting out "Top of the World") was just how much fun it is to sing. The songs were so stupid- 70's soft rock, blech!- but her incredible gift was like a beacon right through the cheese. Later, she taught me that our time here is fleeting, so strive to make your mark.
Erin McKeown
Fiesty, hard-working, talented, strong, intelligent. She writes a hell of a good song and she's an awesome guitarist. Not in a "look at my athletic ability on the fretboard" sorta way- but in an "everything I do is musical" way. She has such confidence in her ability that she's free to explore & create onstage- then backs it up by never falling flat during these spontaneous musical moments. That, to me, is where creativity and hard work meet. You can't pull that off without great musical sensibility AND the training/practise hours to access that musicality. I want my life to be filled with music and I want to work hard at my craft, and she's an excellent, local example of what can happen when you do just that.
Shirley Manson (Garbage)
I just love Garbage and I love Shirley's voice (plus, I'm a total sucker for a Scottish accent). Garbage masterfully layered a bunch of little parts to create this giant sound- & they really opened my mind to the creative possibilities of looping/sampling as well as mixing electronic & natural instruments (though I haven't yet explored as much of that in my own work as I intend to).
Annie Lennox
Speaking of Scottish... Annie scared the hell out of me with that orange buzz cut back in the day... I loved it but I was afraid my dad might throw me out of the house if I said so. She had the courage to do whatever she felt like, and she always did it well.
Janet LaValley (Tribe)
Tribe's glory days coincided with the lifespan of our first band. We went to so many Tribe shows, it was impossible not to be influenced by such a huge persona (Janet was a little like a female Robert Smith)- but on top of that, the studio that hired me for my recording internship just happened to be where Tribe was recording their (unfortunately) last CD. So I had the opportunity to watch them working their craft, hanging out, interacting with the producer/engineer/record company/etc. It was all quite fascinating! I definitely would've killed to be Janet just for a day... (but instead, I helped her turn the tv on so she could watch her soap operas)
Carly Simon, Suzanne Vega, Aimee Mann & the Indigo Girls (Amy Ray, especially) should all make the list, too- but I can't think of anything in particular that needs to be said about them individually.
So there you have it. A musical stew brewed over decades of listening, studying, observing & absorbing.